The peaceful and traditional people, located on the shores of a large bay, are surrounded by the rough pastoral folk in the surrounding hills, who feel increasing pressure from the unscrupulous and lowly followers of the dreaded head forester. The narrator and protagonist lives on the marble cliffs as a botanist with his brother Otho, his son Erio from a past relationship and Erio's grandmother Lampusa. The idyllic life is threatened by the erosion of values and traditions, losing its inner power. The head forester uses this opportunity to establish a new order based on dictatorial rule, large numbers of mindless followers and the use of violence, torture and murder. Others see it as a description of Germany's fight against the threat of Stalinism or communism , the head forester or "chief ranger" being Joseph Stalin.

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We'd like to understand how you use our websites in order to improve them. Register your interest. In Anlehnung an Bourdieu, Theweleit, Benjamin u. Following analyses by Bourdieu, Theweleit and Benjamin, et al. This is a preview of subscription content, log in to check access. Rent this article via DeepDyve. Google Scholar. Mitscherlich et al. Karl Marx, Capital , trans. Untermann, 3 vols. Norman O. Brown observed, power is not an economic category, but a psychological and sociological one.

It connects money to the domain of the sacred. Brown, Life against Death: The psychoanalytical meaning of history , p.

Blumenberg even argued that the art myth in the Marmorklippen is designed to contain the fear that everything that has been gained in the way of dominion over reality might sink back into the archaic depths of barbarism. Narrating thus stands against the kind of weakness that befalls the narrator himself from time to time. One must, however, wonder whether narrating does constitute an act of mythical empowerment, as Blumenberg suggests, or whether it serves more of an alibi function, as I will argue.

Hans Blumenberg, Work on Myth , trans. Robert M. Wallace , pp. With a different perspective, Foucault describes this armoring as the disciplining of the body, or as a technique by means of which the body was broken down through the machinery of power and rearranged. Michel Foucault, Surveiller et Punir: la naissance de la prison , pp.

Immanuel Kant, Kritik der Urteilskraft , ed. Nevertheless, the term serves as a focal point for the crisis consciousness of the conservative revolutionaries in their struggle against rationalism and liberalism.

Marshall Blonsky, 3rd edition , p. For our purposes, one might say that the deferral of the enjoyment of sexual potency in homosexual competition amounts to a purification of physical, sensual pleasure and its transformation into the pleasure of power. Sie gewinnt darin ihren verbindlichen Gegenstand: — indem ich den Kunstgegenstand verstehe erfahre, erkenne, usw.

Dieser ist nicht identisch mit dem Kunstgegenstand; er ist dessen Abbild , das ich mir von ihm in der Reflexion nachstelle. In diesem Sinne Vor- und Voraus-Bilder. My argument aims Helmut J. Helmut J. Sein Dasein … ist statisch und weltlos. Carl Schmidt, Politische Romantik , 2nd ed. Max Horkheimer, Theodor W. Adorno, Dialectic of Enlightenment , trans. John Cumming , p.

Download references. Reprints and Permissions. Suck, T. Dtsch Vierteljahrsschr Literaturwiss Geistesgesch 66, — Download citation. Published : 05 August Issue Date : September Search SpringerLink Search. Abstract Following analyses by Bourdieu, Theweleit and Benjamin, et al. References 1 Cf. Suck Authors Titus T. Suck View author publications. You can also search for this author in PubMed Google Scholar.

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Auf den Marmorklippen




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